Liang Qichao 梁启超 (2001), “Zhongguo yunwen li suo biaoxian de qinggan” 中国韵文里 所表现的情感 (Sentimental expressions in Chinese verse), in Yinbing shi wenji 饮冰室文集 (Collected works of Yinbin study), Kunming: Yunnan jiaoyu chubanshe. Lee, Leo Ou-fan (1973), The Romantic Generation of Modern Chinese writers, Cambridge: Harvard University Press. Gong Qichang 龚启昌 (1936), Zhongguo wenxue shi duben 中国文学史读本 (Readings on Chinese literary history), Shanghai: Shanghai lehua tushu gongsi. Ge Xiaoyin 葛晓音 (2003), Tangshi Songci shiwu jiang 唐诗宋词十五讲 (15 Lectures on Tang-Song poetry), Beijing: Beijing daxue chubanshe. Expressions of Self in Chinese Literature, New York: Columbia University Press.Ĭhen Guoen 陈国恩 (2000), Langman zhuyi yu Zhongguo wenxue 浪漫主义与中国文学 (Romanticism and Chinese literature), Hefei: Anhui jiaoyu chubanshe. Hong Kong Branch.Ĭai Yi 蔡仪 (1979), Wenxue gailun 文学概论 (Outlines of literature), Beijing: Renmin wenxue chubanshe.Ĭhaves, Jonathan (1985), “The Expression of self in the Kung-an School,” in Robert Hegel and Richard Hessney ed. (1980), Li Pai: 200 Selected Poems, Hong Kong: Joint Publishing Co. (1953), The Mirror and the Lamp: Romantic Theory and the Critical Tradition New York: W. Reconsidering the establishment and spread of the concept “romanticism” in the study of Li Bai, will offer us some good answers to those questions.Ībrams, M.
Are Western critical ideas really inappropriate in understanding Chinese classical literature? Can we imagine a wholly purified criticism that depends only on native Chinese critical terms without any Western impact? As modern readers, how can we understand our literary past? These questions have been under discussion for a long time ever since the modernity of Chinese literary criticism has become a major topic in modern literary studies. The most influential volume of Chinese literary history edited by Yuan Xingpei, which is published seven years ago, pays little attention to this term in the chapter on Li Bai. It is considered to be alien to the nature of classical Chinese literature. But nowadays, the usage of these terms has been under attack. In the 20th century, the most frequently used critical term in Li Bai studies is “romanticism.” Li Bai is regarded as a romantic poet and his poetry is typical of romantic writing.
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